THE LAST OF THE 2010 MOVIE REVIEWS
Jan. 4th, 2011 01:11 amAnd so I also spent some time at the movies during the holidays. As you do. Opinions ho!
Megamind
A twist on the superhero genre in which supervillain Megamind defeats his lifetime arch-rival Metro Man – only to find his existence meaningless without having a good guy to fight. His not-so-ingenious solution: create a new superhero.
This is better than it has any right to be, given Megamind is voiced by Will Ferrell, who I’ve never really “got” as a comic actor (maybe because I’ve never seen his SNL work or Ron Burgundy, which I’m told is his best work), and the hackneyed “villain motivated by love to become good” plot.
On the plus side, it’s deeper than it looks, with Megamind and other characters questioning their purpose in life and asking whether destiny is pre-determined, self-determined or determined by society’s expectations of you. Which is pretty meaty for a slapstick superhero comedy with a gratuitous 80s metal soundtrack. Good fun.
Tron: Legacy
Having been a teenage fan of the first film (and a whiz at the arcade game), I went into this really belated sequel expecting to be visually impressed but otherwise disappointed. Which is more or less what happened.
The storyline – Kevin Flynn becomes a Steve Jobs-like figure at Encom, only to disappear in 1989, abandoning his young son who, 20 years later, finds Flynn’s secret lab and ends up inside the Grid, a.k.a. the virtual universe Flynn helped create, to find Flynn trapped inside and with a limited amount of time to get them both back out – is pretty straightforward. And yes, visually it looks great, taking the neon aesthetic and the game combat of the first film and upping the bandwidth, so to speak (to say nothing of making Jeff Bridges look 30 years younger). Also, bonus points for hiring Daft Punk to do the film score.
On the other hand, apart from Kevin Flynn and the overly flamboyant Zuse (a program that is basically the Merivingian from The Matrix reimagined as camp glam-rocker rather than sneering philosophical French guy), the characters aren’t really all that interesting, or at least given a chance to be more interesting. There’s also some minor plot points that bothered me (the biggest being: who would stage an IPO event like that, and why does Kevin age inside the Grid?).
All of which is too bad because there’s a potentially a good film buried under all the FX. But why try hard when yr mining 30-year-old old intellectual property for new film ideas?
Game over,
This is dF
Megamind
A twist on the superhero genre in which supervillain Megamind defeats his lifetime arch-rival Metro Man – only to find his existence meaningless without having a good guy to fight. His not-so-ingenious solution: create a new superhero.
This is better than it has any right to be, given Megamind is voiced by Will Ferrell, who I’ve never really “got” as a comic actor (maybe because I’ve never seen his SNL work or Ron Burgundy, which I’m told is his best work), and the hackneyed “villain motivated by love to become good” plot.
On the plus side, it’s deeper than it looks, with Megamind and other characters questioning their purpose in life and asking whether destiny is pre-determined, self-determined or determined by society’s expectations of you. Which is pretty meaty for a slapstick superhero comedy with a gratuitous 80s metal soundtrack. Good fun.
Tron: Legacy
Having been a teenage fan of the first film (and a whiz at the arcade game), I went into this really belated sequel expecting to be visually impressed but otherwise disappointed. Which is more or less what happened.
The storyline – Kevin Flynn becomes a Steve Jobs-like figure at Encom, only to disappear in 1989, abandoning his young son who, 20 years later, finds Flynn’s secret lab and ends up inside the Grid, a.k.a. the virtual universe Flynn helped create, to find Flynn trapped inside and with a limited amount of time to get them both back out – is pretty straightforward. And yes, visually it looks great, taking the neon aesthetic and the game combat of the first film and upping the bandwidth, so to speak (to say nothing of making Jeff Bridges look 30 years younger). Also, bonus points for hiring Daft Punk to do the film score.
On the other hand, apart from Kevin Flynn and the overly flamboyant Zuse (a program that is basically the Merivingian from The Matrix reimagined as camp glam-rocker rather than sneering philosophical French guy), the characters aren’t really all that interesting, or at least given a chance to be more interesting. There’s also some minor plot points that bothered me (the biggest being: who would stage an IPO event like that, and why does Kevin age inside the Grid?).
All of which is too bad because there’s a potentially a good film buried under all the FX. But why try hard when yr mining 30-year-old old intellectual property for new film ideas?
Game over,
This is dF