defrog: (halloween)
I am in a library, where Dolly Parton is telling a story to an audience. There is a little girl sitting on her lap holding a box of unpopped caramel popcorn. Dolly illustrates the story by setting the box on fire to make the popcorn.

She continues talking as the popcorn starts popping, and the fire blazes furiously until it consumes the box, the girl and Dolly. Throughout it all, Dolly keeps telling her story and the girl keeps listening, and we keep watching all this.

The fire burns until there is nothing left but a pile of golden brown skulls that shrink in the embers until they are popcorn sized.

The librarian thanks Dolly and tells us it’s our turn to make caramel popcorn.

And then I woke up.

Cooking with fire,

This is dF
defrog: (Default)
I am attending a media event hosted by Kristin Hersh of Throwing Muses. It’s an annual thing that I have attended before, and she remembers me. She says that this year she is starting an online cookie business, featuring different kinds of cookies that she baked herself from family recipes, as well as some she invented herself. She brings out a sample platter for us to try. I get one with an oatmeal base topped with pineapple, crème and candied maraschino cherries. It’s pretty tasty.

Later Kristin meets me in a hotel room for an interview. I’m trying to get my MP3 recorder ready, but it’s full because I left it running during a Sparks documentary. I’m trying to figure out how to delete the file so I can record Kristin’s interview. In the meantime we make small talk about past events and how things are going generally.

At some point we are interrupted by a Nazi Gestapo officer, who shows up unannounced for a surprise inspection of the room, which is when I become aware of the dream’s overall context: we are in either Nazi Germany or some Nazi-occupied country. The officer is all mock politeness, and we go along with it. This is his regular beat, so we’ve dealt with him before, and we know his routine – he’ll do a Columbo, pretending he’s done then coming back almost immediately for one or two additional questions.

After he’s gone, we wrap up the interview and prepare to leave the hotel. This requires changing into traveling clothes, which we do. As I pack, I come across a Kindle wrapped in a nice red leather case – Kristin gave it to me at last year’s event. She’s pleased I still have it because it means I found it useful.

Outside the hotel, we wait for our ride, which turns out to be Kristin’s husband. He is well dressed with a luxuriant black beard. He shows us two kinds of local sausages, and tries to explain the difference between them. This is not easy because both have thick red casings, and the insides look very similar when you cut them in half.

We get in his car and go. We are immediately pursued by SS ninjas riding black motorcycles and dressed in black uniforms and helmets. They chase us moto-cross style, hopping around on either side of the road. Luckily, they are caught by traffic cops and arrested for dangerous driving. So it turns out we’re not in Nazi Germany after all – we’re just being hounded by Nazis who don’t know the war is over.

We arrive at another hotel and go to a large outer deck in the rear that overlooks the mountains. The view is spoiled by Mike Huckabee, who is there giving a lecture on Obama. Kristin gets really irritated by him, but I advise her to keep calm – he’s not worth the emotional energy and he’ll never be president, so don’t worry about him.

Apparently Huckabee overhears my comment, because he directs his attention to me. He comes over to me and says, “I’ve noticed the way you’ve been rubbing yr neck.”

“I slept on it wrong,” I reply.

“I’m a doctor, you know,” he says. “I can fix that with a Heimlich maneuver.”

“Forget it,” I say. I’m not sure about his doctor credentials, but I don’t trust him to put me in a headlock, or whatever he has in mind.

And then I woke up.

Hands off,

This is dF
defrog: (Default)
I am in the Old Man’s War universe, on a diplomatic team that negotiates deals with alien races. We are on a mission to meet with the Sorvath, who look something like Groot, except they’re not plants.

My boss is agitated because the Sorvath are very formal and have very strict requirements, and he wants to butter them up by presenting them with gifts. He tells me this particular negotiation will only go well if we can present the Sorvath with some very specific items: a collection of music from a late-80s Earth band called Caterwaul, and a James Bond coloring book. He’s never heard of Caterwaul, and he has no idea where we’re going to find a James Bond coloring book.

I don’t see what the big deal is. I open iTunes and download Caterwaul’s three-album discography, then Google up some scans of the coloring book and print them out. I show them to my supervisor and he relaxes. We present them to the Sorvath ambassador. She is rather pleased, and we start hanging out.

It's only later in the dream that I discover the Sorvath’s requests aren’t random selections from Earth pop culture – the song lyrics and the coloring book images and captions correspond with the details of our mission. It turns out the Sorvath ambassador is secretly warning us of a plot by her government to instigate an incident and pin it on our team. They think this will out them in a better negotiating position, but the actual result could be a full-on war.

And then I woke up.

Diplomatic,

This is dF
defrog: (Default)
I am signing up to work for the CIA. Again.

I say "again" because as I go through the hiring procedure (which involves epic amounts of paperwork), I feel that I’ve done this before – a lot of it seems familiar and no real surprises. This may be because I had some kind of pre-briefing beforehand, but my feeling is I worked for them before under a freelance contract, and I’m doing so again, though it’s been awhile since the last gig.

My recruiter – who later turns out to be my supervisor – is John Goodman (or is played by him).

I meet him in the parking garage of some hotel resort complex somewhere in Southeast Asia to sign the various contracts involved. They include things like T&Cs, list of duties, an inventory of the equipment I'll be using, and – strangely – music publishing rights, under which if I record any music as part of my undercover duties with the CIA, they’ll handle the publishing to ensure I get paid royalties for any sales (though of course the CIA will take a percentage).

All of this makes sense to me – I read over everything and sign everywhere Goodman tells me to sign.

Goodman welcomes me to the team. He hands me a small square radio that clips onto my belt. It looks like an old MP3 player, with a toggle switch on the side to search the various menus – you move the switch to the center and push it once to select an item. One feature is that you can tune in to the radio comms of any other agent that yr authorized to listen to – either live chatter or MP3 archives of conversations. The idea is that the transparency will keep everyone honest, though I’m pretty sure at least some agents are cagey enough to develop code words or routines to work around that – or even delete or edit recordings.

We walk over to a flatbed truck and climb on the flatbed part. As the truck pulls out of the garage, I ask when I start.

“Soon as the truck leaves the resort premises, yr on the clock,” he says. “Literally. We track everything by GPS, so the satellite will log your hours in the system automatically.

I consider this. “So I’m being paid by the hour?”

His answer is non-comital, and I start wondering if this means I’m going to be making less money per month than I planned on. I also wonder if the radio is also the tracking device, and what would happen if I should lose it or leave it at home.

I’m not entirely sure yet exactly what I’ll be doing – Goodman is talking about how they’re embedding agents into China as a way to somehow exert influence on North Korea, but that doesn't seem to be what they have in mind for me.

Shift: I am in a vast and busy library, where I am wheeling around a kid in a wheelchair. I’m looking after him until his parents arrive. He’s also my cover to arrange a meeting in the library with Goodman.

I bring the kid to the computer section, which is mobbed by other kids who are all playing eSports games. He wants to watch, so I park him and leave him to it, send a message to his parents telling them where he is, and I take a lift upstairs to meet Goodman.

He asks me if I’ve familiarized myself with the radio’s functions.

“I’ve been playing with it, but I haven’t gone through all the functions yet,” I admit.

“How about the equipment catalog?”

"Not yet, no.”

“Yeah, well, you won't find much there – it’s more like a placeholder for now.”

“Placeholder for what?” I ask.

He explains that our particular department doesn't have the authorization or the funding to develop our own specialized field gear. It’s a chicken/egg situation – we can’t get authorization without funding, and vice versa.

Goodman is obsessed with the idea that we should be able to develop our own technology solutions and then sell them to other govt departments. For example, he has ideas for comms components that could be used in military tanks to make their radios more efficient and their guns more accurate.

“I tell ya, we’d make enough money from the patents alone to justify the funding for it,” he says. “Check out the catalog – I’ve put some of my ideas in there. Let me know what you think – I could use the feedback.”

“Sure,” I say, although I’m starting to understand why the CIA won’t give him the funding for this.

And then I woke up.

Working for the man,

This is dF
defrog: (Default)
I am going to a local arts center to attend a seminar called “How To Start A Tank”. The flyer claims that the instructor will demonstrate how a tank works and how to operate one. I’m fairly sure I know what to expect, as I’m assuming it’s similar to starting and operating an armored personnel carrier, which I learned how to drive in the Army. But it’s free, so why not?

Once everyone is there, the instructor leads us out the back of the center and down a hill along a gravel road. At the bottom of the hill under a large tree is the tank, though I can’t see it clearly because a crowd has already gathered around it. I hear the tank start up, but of course at the back of the crowd I can’t see how it was done.

The instructor leads the crowd back up the hill to give a quick briefing on how to drive the tank, as we are all going to take turns driving it. As the crowd disperses, I hang back to check out this tank – and it’s not what I thought.

It’s actually a toilet mounted on caterpillar treads with two steering/braking levers. Put another way, it’s an all-terrain drivable toilet.

I straddle the toilet, and see that on the inside rim there’s a matte-silver switch. I reason that must be the start/stop switch. I flip it and the toilet tank roars to life. I move the levers forward and the tank starts rolling, but at a far greater speed than I’m expecting, which makes it harder to control. I drive the tank up the hill towards the class, and park it next to them.

The instructor looks at me sternly. “We actually haven't got to that part yet,” he says.

Getting ahead of myself,

This is dF
defrog: (Default)
I am an agent employed by a covert US organization so secret I'm not even sure what it's called.

My assignment involves monitoring a North Korean national who is traveling around Asia trying to locate and infiltrate an R&D facility which is designing an advanced virtual reality pod – sort of a cross between a hibernation chamber and a holodeck. My mission is to assist him in order to find out what North Korea intends to use this technology for.

We learn that the R&D facility is inside the Cyberjaya tech park in Malaysia outside of Kuala Lumpur. We get inside by posing as tech journalists and joining a media tour. At an opportune time we break away from the tour to find the VR pod. Which we do.

The North Korean climbs inside, inserts a thumb drive preloaded with malware to hack into the system, and starts fiddling with the controls. I can see what he’s doing via an external monitor display next to the pod.

Once I see what he's up to, I make my exit while he’s still in the pod and book a GrabTaxi to the airport. While I wait, I call the contact number I was given to make my report and arrange my flight out.

To my surprise, Hillary Clinton answers.

So there is a Deep State, I think to myself. Cool.

“What’s the scoop?” she asks.

“He plans to use the pods to create a chain of virtual strip clubs in ASEAN to raise money for Kim Jong-un’s regime,” I report.

“Why not just open real strip clubs?” she asks.

“Real strip clubs get raided,” I explain. “Virtual strip clubs means virtual dancers who are also customizable for a premium fee – and you don’t have to pay them.”

“Okay, but why would you need a club full of pods? If it’s virtual, guys could just use the service from home.”

“If they’re rich,” I say. “The pods are still in the prototype stage and the first commercial ones won’t be cheap. Neither will the broadband connection you’d need for an optimal customer experience. Besides, novelty sells.”

“Good work,” says Hillary. “Get out of there. Go to KLIA Terminal 2 – we’ll arrange your flight out.”

My taxi arrives and takes me to the airport, Terminal 2. In fact my flight is waiting at Terminal 1 – the idea is that I will take the shuttle train from Terminal 2 to Terminal 1, but the train will make an unscheduled stop en route. I’ll get off the train then and take a maintenance tunnel that leads to my gate, enabling me to bypass airport security and the immigration checkpoint.

However, the train starts heading away from Terminal 1. I try to remember if it’s a circular route – if so, maybe it’s just going the long way round. But we seem to be moving further away from the airport, and I’m starting to wonder if the North Koreans have rumbled me. And if so, when – because that could mean the virtual strip club was a disinformation play.

And then I woke up.

Secret agent man,

This is dF
defrog: (devo mouse)
FULL DISCLOSURE: I wrote this dream down a couple of years ago, but never got around to posting it. Given Neil Peart's recent passing, I thought there's no better time to share it.

I am on a motorcycle road trip with Geddy Lee of Rush. We’re riding around a hilly area, with winding roads. It’s nighttime and it’s raining pretty hard, and occasionally the roads are flooded. To cross those areas, we need to drive the motorcycle fast enough to skim the water’s surface before the cycle can sink.

Geddy is pretty far ahead of me, but we keep in contact by radio. I manage to catch up with him in the final stretch of road to our destination without him realizing it. So as he pulls into the access road he says, “I’m here, where are you?” and I pull up and say “Right beside you!”

Our destination is a large house on a hillside overlooking a bay. We head down the driveway to the back of the house, where there’s a BBQ party going on. Neil Peart is working the grill flipping hamburgers. Next to him is a table loaded with various cakes.

“Burgers and cake!” Neil declares. “Who wants some?”

“I do, I do!” says Geddy.

Later, as we sit down to eat, Neil Peart starts talking about why he does the drumstick toss trick during live shows.

“Before we got started, I used to see guys do that onstage, and I would think, ‘Oh I’ll never do that, that’s so cheesy’,” he says. “But then I found myself trying it and I found that it really keeps you focused on the count, because you know, the stick has to be back in yr hand by the time you start the beat again, so it’s a really good discipline tool.”

“But it’s also a showmanship tool, isn't it?” I ask.

“It is, but that’s just a bonus, not the purpose,” Neil says. “And I do appreciate that the fans like a little showmanship onstage, but that’s hard to do behind a drumkit, so there’s not much else I can do back there.”

“Unless you want to go the Tommy Lee route with a flying drumkit,” Geddy laughs.

Neil makes a face. “I have enough to focus on playing weird time signatures without worrying about aerodynamics.”

And then I woke up.

Ghost rider,

This is dF
defrog: (Default)
I am in an episode of The X Files, tagging along with Mulder and Scully as they investigate strange events occurring in a grocery store in Stockholm. The store is part of a national chain of grocery stores, which operates under several different brands targeting different clientele (upper market, deli, import brands, etc).

Mulder and Scully discover that in fact, the mysterious occurrences are not limited to that one store, but across the entire franchise. Finally in one store we encounter a talking border collie who looks at Mulder and says, “It’s time to go home, Fox.”

“Do I know you?” Mulder asks.

“No, I’m just the emissary. But they’ve been waiting for you to remember.”

“Remember what?”

“Who you are.”

“Who am I? And who are they?”

“So you still don’t know. No wonder it took you so long to find your way here. You’d better follow me.”

The dog leads us to the back of the store, where I expect to find a stockroom or loading bay or something. Instead it’s a high-tech operations center with lots of screens – it’s also apparently automated, as there is no one inside. The dog barks a command and a large screen displays a map of Sweden that shows every store in the grocery chain.

Essentially, the stores serve as outposts for aliens to monitor Earth’s activities and determine when First Contact is feasible. Each brand of the grocery store chain represents a different alien species, identifiable by a slight difference in sign design (at the top of the sign is a cross, a circle, an “S”, etc). All the different species coordinate with each other and share information.

“Why did you tell me it’s time to come home?” asks Mulder.

“We’ve been looking everywhere for you, but we were unsuccessful. We took shapeshifting into account but your memory loss complicated things, to say nothing of your career choices.”

“Okay, enough of this vague riddle crap,” says Scully. “For once, just tell us straight – what is going on.”

The dog shakes her head. “That never works. You’re humans. You won't believe anything outside of your preconceptions unless you see it for yourself. Go to the produce section and pick up a vegetable. Any vegetable. Then all your questions will be answered.” She looks at Mulder and adds, “Your sister will be so pleased to see you.”

Mulder looks at Scully and dashes out of the control room into the store. He arrives in the produce section, picks up a stalk of broccoli, and suddenly transforms into a triffid.

The triffid turns to a shocked Scully. “I remember everything,” he says.

What he remembers is this:

Fox Mulder and his sister are both triffid-like aliens who can also shapeshift to imitate other lifeforms. They were visiting Earth with their family when suddenly the US government discovered the existence of aliens on their turf and dispatched agents to capture some and kill the rest. This triggered a mass evacuation of all alien species, and somehow in the confusion Mulder was left behind. The memory of his sister being abducted is a distortion of the truth – he saw her get on the ship but was too late to get onboard himself.

To evade capture, Mulder was forced to maintain his human form for so long that he eventually forgot that he was a triffid and the memory of his sister was distorted over time. His decision to become an FBI agent and hunt for UFOs was a subconscious effort to return home, and he never knew.

It was only years later that the aliens set up the monitoring outposts, having learned the hard way that humans were not ready for alien contact. The triffids searched for Mulder, but because he was disguised as a human and had no idea he wasn’t a human, this made him difficult to find. Once they did find him, extraction was complicated by the fact that the US govt was watching him extremely closely because of his investigations that threatened to uncover its various conspiracies.

The produce shelves slide aside to reveal a hidden tunnel that leads to some kind of teleportation device. Mulder turns to Scully and holds out his hand. Scully takes it and they step into the tunnel together. The shelves slide back into place.

And then I woke up.

I want to believe,

This is dF
defrog: (mooseburgers)
I am in Singapore, sitting on a street corner listening to “Freewill” by Rush in my headphones and trying not to play air drums to it.

When the song finishes, I get up to go back to my hotel. I pass a Jumbotron screen that is displaying Fox News. Sean Hannity is arguing with some female guest about something, but I don’t pay attention.

I take a shortcut down a side street, and when I re-emerge on the main road, I hear some kind of commotion. I look to see what’s going on and I see Hannity chasing the woman he’d been arguing with on TV. He is brandishing what looks like bright orange toy lightsabers –one in each hand – and swatting her across the back, shouting, “Insult me on MY show, will you, you liberal Commie bitch!!!”

One of the Fox News women (not sure which one, so we’ll say Laura Ingraham to keep it simple) is right behind him, apparently egging him on. They are all being chased by a stray dog who thinks they’re playing and wants Hannity to throw one of the lightsabers to play Fetch.

I get out my phone to take some pictures, because wouldn’t you? It’s hard to get a good focused picture, of course, because Hannity and the woman are running up and down the street. Also, Laura Ingraham is running interference, trying to block the lens and shouting “No pictures!” But by now a crowd has gathered and they’re all taking pics and video now.

Finally Hannity gives up, lets his guest go and tries to push his way through the crowd, presumably to get back to the studio and finish his show. The dog follows him, barking, still hoping Hannity will throw a lightsaber for him to chase. Hannity turns angrily and kicks the dog. The crowd boos him and starts to chase him down the street.

I don’t bother to follow them. I head back to my hotel and stop in the convenience store next to the lobby to buy some drinks and snacks. But it’s a small store and the line is very long.

When I fnally get back to my hotel room, I turn on the TV, open my laptop and get online, and I see that all of the pics and videos of the Hannity incident have gone viral, especially the dog-kicking scene.

Just about everyone at Fox goes on air to defend Hannity’s behavior, claiming that the lightsabers were inflatable, not plastic, so he wasn’t really hurting his guest when he was whacking her with them. They also blame the Liberal Media for making a bigger deal out of it than it is, and how it says a lot about liberal priorities that no one cared what Hannity was doing until he kicked the dog, which by the way is okay and unhurt. (Luckily this has been verified by independent news sources.)

And then I woke up.

Bonfire of the Hannities,

This is dF
defrog: (Default)
I am staying in a hotel that is outfitted with lots of TV screens in the public areas. They are all tuned into the US presidential election – it’s Election Day and the voting has just started. The big news story is that Donald Trump is having some kind of dramatic public meltdown over new allegations of sexual harassment.

I am taking a lift down to the lobby. The lift stops and an elegant looking woman gets on, accompanied by two bodyguards. She looks familiar but I can’t place her. She looks slightly troubled. I ask her if she’s okay – she says yes.

The lift descends and stops. When the doors open, a man tries to charge his way in past the bodyguards, hands clawing at the woman as he screams rabidly, “YOU FUCKING BITCH I’LL GET YOU FOR THIS! YOU’VE RUINED EVERYTHING! TWO YEARS DOWN THE FUCKING DRAIN! I’LL FUCKING KILL YOU!”

I get a good look at him. It’s Donald Trump. His face is a mask of orange rage and his hair is a wild mess. There’s a team of paparazzi behind him, documenting the whole thing on live television and Facebook. The bodyguards shove him back and the lift doors close.

That’s when I realize I just happen to be staying in the same hotel where Trump’s campaign team has holed up for the election.

I arrive in the lobby, which looks more like a shopping mall atrium with a network of escalators. I see Trump going up one of the escalators, talking to the press as they follow him. He says that he’s received word from the Federal Election Commission that his nomination has been revoked and that he has to hand in his American Flag lapel pin, which means he’s no longer eligible to run for office.

“I’m done, I’m out, nothing I can do,” he says, looking haggard and exhausted but also somewhat relieved. “Talk to Crooked Hillary’s friends in the FEC. It’s out of my hands. I told you this would happen.”

As he rises out of earshot, I look at the nearest TV screen. The media is naturally going crazy about this development, as it’s literally unprecedented in US presidential election history – so much so that no one is sure what it means or what the consequence is, especially since voting has already started.

Possible options offered by talking heads:
  1. Mike Pence will simply be bumped up on the ticket and inherit whatever votes Trump gets, although as Pence has no running mate, that could disqualify him
  2. The FEC decision will probably trigger a constitutional convention that the GOP-controlled Congress will use to prevent Hillary from taking office
  3. Or perhaps we’ll just have to do the whole thing over again and postpone the election to 2018, which would give Obama another two years in office, which has conservative pundits convinced he engineered the whole thing and hired those women to set Trump up. Liberal pundits respond that Trump probably staged the whole thing because he knew he was going to lose – being stripped of his candidacy by the FEC means no one can say he lost.
The only thing everyone is sure about is that Trump is finally out of the race.

And then I woke up – momentarily thinking, “Wow, so he’s finally out.”

Trumped,

This is dF
defrog: (Default)
I am on a business trip covering a major telecoms event. Every year the organizers book some entertainment for the last night of the conference. This year’s entertainment: Rush

Unfortunately I can’t go to the concert because I have a deadline to meet, but we have a flatscreen installed in the press office so we can watch the concert. They play great, but the lighting isn’t very good and whoever is operating the cameras isn’t that skilled, so it’s hard to actually see the band playing.

At one point Rush start playing a medley of songs where they only spend about 30 seconds on a song before moving on. It ends with the spacy keyboard section of “Jacob’s Ladder”, which turns out to be on tape so the band can leave the stage and take a break.

We decide we’ve got enough work done to take a break ourselves, so we head to the auditorium to catch the second half of the show. When we get there it looks like what we last saw on the TV – pulsating purple lights and humming synths. While we’re waiting, I get into a conversation with one of the delegates about how much better the entertainment has become at these shows.

I explain that they used to avoid booking bands because they wanted to go with something with as much mass appeal as possible – which generally meant all-purpose dance acts or magic shows, something generic and safe. “But then they realized that people really want to see bands like this who can play and put on a good show.”

Eventually the lights and synth droning fade out, and the president of the telecoms association goes up on the stage to give a short speech before the second half. It ends up being more than a speech – a bunch of PR people get up on stage with him and perform a sort of dance based on Drunken Master kung fu. I’m starting to wonder whether there is actually going to be a second half for the Rush concert – maybe that was the ending we saw on TV.

And then I woke up.

Encore,

This is dF
defrog: (Default)
I am traveling in Malaysia to edit a daily newspaper for a telephones convention that week. A PR person I know tells me that somewhere in town a South Korean tire dealer is planning to give away its entire stock. I tell her I don’t really need tires for my car, but she says, “Hey, free tires.”

Eventually I happen to be nearby the tire dealer when the giveaway starts, but when I get there most of the stock is already gone. They do have some 12” tires, which is the size I would need (at least I think it is – I’m not 100% sure) but they're not in great condition – not used, just shabby.

Shift: the B-52s are playing the convention this year, and I get a chance to interview them. Somehow this evolves into me going on tour with them while they play various shows in Malaysia. Kate Pierson and I end up being good friends, and we hang out a lot and talk about various things, though I remember mostly telling her how much I love the B-52s, and how I wish I could talk like Fred Schneider.

I also ask her how they came up with some of their stage antics, to include a “kissy doll” routine where she and Cindy Wilson would make themselves up as china dolls and kiss each other on stage (pecking style, not sexy lesbian style). Kate says she doesn’t remember, since a lot of what they did was improvised, and if it went over well, they’d repeat it for a few shows.

On the last day of the tour, the narrative shifts into a pulp-fiction novel in which Kate and I are supposed to meet the rest of the band on the other side of a river. The bridge we need to cross is a rickety wooden affair. It’s raining and the river is rising, so we figure we’d better hurry. We go back to my hotel to get my stuff, but we take a wrong turn and go the long way around to the side entrance.

We catch the hotel manager rummaging around in my room. The hotel is a bit of a fleabag, and the manager looks like Harvey Pekar.  At first I think he’s crabby because he thinks I was skipping my bill, even though that doesn’t make sense because all my stuff is still in the room. But then Kate notices that he is turning on all the gas outlets in the room, as well as a large fan to circulate the gas around the whole floor.

Belligerently he shoves a matchbook in my rear jeans pocket. That’s when we realize he’s planning to burn down the hotel, collect the insurance and blame it on me (and I will have conveniently died in the explosion so I can’t contradict his story).

We make a run for it, and the manager blocks our way. I shove him and he falls onto the fan, which shreds him to pieces. I don’t actually see this, and when I look back the manager is gone but there’s no blood or indeed any sign of him at all.

“That’s not a very convincing ending,” I remark.

“I’ll take it,” says Kate. “C’mon, this place could still blow up any second.”

We leave the hotel hurriedly and head for the bridge. I suddenly realize I have no shirt and no shoes. “Damn, I left my stuff behind.”

“Got it right here,” says Kate as she pats a duffel bag I hadn’t noticed her carrying. She hands me a shirt and shoes. I put them on and we cross the bridge.

And then I woke up.

My own private Idaho,

This is dF
defrog: (Default)
I am in a hotel or restaurant, and I realize I am supposed to be in the office later that day. I run to the nearest bus stop trying to remember which bus is the most direct route to my office. That’s when I also remember I’m not even in the same city as my office.

Shift: I am driving down a highway at top speed. I come into a small town with a strictly enforced speed limit, but it seems like the car is taking forever to slow down. The speed zone is marked by rows of orange construction barriers that channel the road into a single lane. By the time I pass a police officer stationed on the side of the road, I am doing 5 mph over the speed limit. I’m hoping I get an A for effort.

I am directed to a checkpoint of some kind. I remember passing through this town before, and that the checkpoint is routine, regardless of whether you were caught speeding.

The checkpoint is more like an interstate rest area, although there are no other drivers. In fact, the place seems deserted. When I walk into the main reception area, there’s no one on duty, and no one to report to. But they’re obviously expecting me because there’s a binder on the desk that I gather is my driving record. Since no one’s around, I pick up the binder and wander around cluttered hallways to see if anyone is there.

At one point I look in the binder, and realize I may be in trouble. The report is full of copies of articles and photos I’ve posted on Facebook, including a series of Family Circus and Marmaduke cartoons with rewritten captions. I look at the front page of the report, and it describes me as a wanted professional car thief named Stuart Carlaw.

Uh oh.

At the time I discover this, I am standing near some shelves with various janitorial items and junk on them. I put the binder on one of the shelves and head back to the reception area. There’s a cop standing there, and he asks me where I’ve been. I explain I was looking for him. He directs me to a desk and a chair where he will conduct a brief interview. I remember this is SOP.

I wonder if I should be worried, but it occurs to me that I have identity cards, so that should be enough to prove I’m not Stuart Carlaw. Also, since the cop doesn't seem to know who I am in the first place, he may not think I’m Carlaw anyway.

On the other hand, it also dawns on me that I can’t remember where I got the car from, and I’m not sure I can prove I didn’t steal it.

It also occurs to me that I have a potentially bigger problem: why are there copies of my Facebook content in Carlaw’s folder? Maybe they got it from Carlaw’s Facebook page? In which case, what was he doing with it? Is he trying to steal my online identity? And if so, what can I do about it?

And then I woke up.

The wrong man,

This is dF
defrog: (Default)
It’s the zombie apocalypse, and we are waiting for it to arrive in Disco Bay.

We’ve been watching on the news how the zombie virus is spreading globally, but hasn’t yet made it to Hong Kong. However, the experts say it will inevitably be everywhere and the world’s governments need to take steps now to ensure that the uninfected can stay that way until the zombies are eradicated. However, most world leaders are too busy either blaming their political enemies for the outbreak, or pretending it isn’t happening at all.

“This is stupid,” says KT as she picks up her smartphone to call one of her church sisters, who happens to know someone who has been posting conspiracy theories about govt-manufactured zombie viruses for years, predicting that eventually the virus would get out in the wild, either accidentally or deliberately. KT figures they will have a back-up plan to survive an outbreak.

We go to meet the conspiracy guy and his wife in Tung Chung. They are waiting in a black armored van. They explain that they have secretly built a safe haven to shelter survivors somewhere in the New Territories.

“But we have to go there now,” the man says. “The govt has been feeding the media misinformation – the virus is already in Hong Kong, so we don’t have much time.”

“Okay, but we need to go back to DB first,” KT says. “My dogs and my mom are still at home.”

“No way,” the man says. “We don’t have time.”

“We have to get them,” KT insists. “My mom can’t look after the dogs by herself. She can’t even cook her own food, she’ll just sit there and eat Pocky all day.”

“We can’t go into DB,” the man argues. “This is a private vehicle. They’re not allowed in DB.”

KT gives him a warning look. “Dude, it’s the zombie apocalypse, society is collapsing, and yr worried about vehicle rules in DB?”

The man nods. “Good point.”

We drive to DB and collect our family. No one tries to stop us. We don’t see any zombies on the way, so we decide to prepare food for the dogs before we go.

Shift: we are in the safe haven, which is equipped with a pirate TV studio that is meant to broadcast survival information to people outside. Since I have broadcast experience, I’m hired to do onscreen interviews with various experts. But the scripts are badly edited, so I have to improvise my way through them. It doesn't help that my panel of experts have hard-to-pronounce names, and I don’t have the chance to meet or talk with any of them prior to broadcast, so I’m not even sure who is who when I introduce them.

The director says it doesn’t matter – it’s not meant to be professional, it’s just to give people information. I start the interview. None of the panelists seem interested in being there, except for one guy who is trying to give an elaborate presentation (with stage props) on how telephone companies can make money using their customers’ personal data.

“But what does that have to do with zombies?” I ask.

“I’m getting to that,” he assures me.

And then I woke up.

Off topic,

This is dF
defrog: (Default)
I am on my way to a conference somewhere. I get off the plane and I find myself in a driverless car on a muddy road. The BBC World Service is playing on the radio.

The ride is a bit nerve-wracking because there seems to be no hard rule about which side of the road to drive on, so oncoming traffic is a constant concern. The car is supposed to be smart enough to figure out the intentions of the other drivers, but it seems to me we're having a lot of close calls.

I eventually get to the hotel in one piece. Up to this point I haven't been sure about what country I'm in exactly, but upon arrival at the hotel, I find that I’m in mainland China somewhere. The hosts who meet me in the lobby claim we’re in Shenzhen, but I feel like I’ve traveled too far for that. Also, I can see that it has started snowing outside, which doesn’t happen in Shenzhen.

I am led through the lobby to the reception desk, but I get sidetracked and go out the back of the hotel to look around. The surrounding town is a mishmash of old and new buildings, the latter of which seem to be the usual tourist-trap places. The older buildings are more interesting – lots of square marble pillars with Chinese characters on them, as though someone carved them out of marble and glued them to the pillars.

After a lot of back and forth I get to my room, which is actually a series of interlocked rooms connected by a common anteroom. The doorways keep changing so you have to know a secret code to find the room you want.

And then I woke up.

Big trouble in little China,

This is dF
defrog: (Default)
1. Teleporting zombies

I am living in the zombie apocalypse. The twist: zombies have teleportation powers. A zombie that looks far enough away to escape from can then suddenly be right behind you, ready to bite a chunk out of you. Even better: the zombie virus is transmittable by touch. So even if you don’t get bitten, if the zombie so much as lays a hand on you, yr doomed. The only thing working in favor of the living is that the zombie teleportation is highly inaccurate. They can’t do targeted arrivals – they end up where they end up. So if one gets within biting/grabbing range, it’s dumb luck.

2. Poetry slam

I am involved with some kind of performance project with Henry Rollins. It started as a discussion group in which I had read one of his poems aloud. He was impressed with my delivery and wanted to do a show with different people doing readings of his work. When it’s time for my reading, however, I find myself disorganized – I am juggling several different books, and I am distracted enough that I get off to several false starts. Henry is watching from the sidelines, and he seems patient with me, but I feel bad for fumbling it, especially when I did it so well the first time.

3. Fact checking: the virtual reality app

At a trade show, someone from the BBC shows me a new augmented reality app for the iPad. You open the app and hold the iPad up to a TV screen showing a newscast, and the app will fact-check everything the newscaster or commentator is saying, and provide the results – as well as contextual background info – in an overlay grid in real time. The idea is that you can use the app to tell when the speaker is wrong, exaggerating or outright lying. The app also makes the newscaster look like one of the aliens in They Live.

4. That blowed up real good

I am involved with some film project in my mom’s old house. I need to film something exploding. I’ve set up the cameras and models and explosives in my bedroom, and will run everything by remote in the hallway for safety (though this means I can’t actually see the explosion). It’s not supposed to be a big explosion, but it sounds louder than I expected. I go back into the room, and it’s been semi-detached from the house. I step onto the floor and the weight sends it tilting to the ground. I start wondering if there’s any way for me to fix it up enough so Mom won’t notice the damage.

5. Star Wars product placement

I buy a Star Wars branded katana that comes with a cut-out of Yoda. If you put the katana in a special sleeve in the cut-out, it looks like Yoda is wielding the katana. The shopkeeper also tries to interest me in some new comic books that are rare prequels of a well-known series with lots of background info on the characters. I’m not interested, but I listen to her pitch politely.

6. What a bargain

I am traveling somewhere with KT. We see a smartphone at an electronics store that looks like a pretty good deal. After we tell the salesperson we’ll take one, he demonstrates that in fact the smartphone is a remote control for a complicated hi-fi system, which also comes with a tablet. They all snap together somehow. I’m trying to explain to the guy that I didn’t want a hi-fi, just a smartphone. He’s mystified by my comments, because he’s basically offering me an entire hi-fi system and two smart devices for the price of a smartphone (and a low price at that). The problem is that the hi-fi is pretty bulky and I have no idea how I’m going to get it back to the hotel, let alone fit it in my luggage for the flight back home.

A man’s got to know his baggage weight limitations,

This is dF
defrog: (Default)
I am watching a film that involves a heist on a mansion. I don’t remember what they are there to steal, but they find out the hard way that the mansion is protected by mutant dolphin-shark hybrids.

Essentially, they’re either mammalian sharks with the intelligence of a dolphin, or dolphins with shark-like predatory instincts and teeth. They can also move around on land, despite having no legs. They’re also surprisingly fast. The dolphin-sharks come crashing through the windows, picking off the heist team one by one and eating them.

I leave the cinema, which turns out to be in Indonesia somewhere. I remember I am here because Telephones! magazine has a local office. I walk to the street where the office is. A large crowd has gathered in the street for some reason, and there are a lot of people standing on the balconies overlooking it.

I am talking to someone trying to find out what’s going on when some gravel falls next to us. At first I think a cat or something has knocked over some loose masonry from the balcony above us. Then I look up and see the whole front wall of the building beneath the balcony is starting to crack. I warn everyone to get back and get off the balcony fast. Just as we get everyone on the street clear, the entire front of the building collapses. Amazingly, the people on the balcony aren’t hurt.

This was the building my office was in, so the management offers to put us up temporarily in another building on the other side of the block. However, the building isn’t nearly as nice as the previous one – it’s fairly ancient, and looks like an abandoned govt building. Also, in order to move in, all employees are required to provide samples of bodily fluids. We are each given a tray with different compartments on it, each one labeled to show what goes where. Some are obvious – some otherwise (one is labeled “sand”).

And then I woke up.

Moving in,

This is dF


defrog: (Default)
I need me one of these.

Frank R. Paul. Dream Viewer. 1953.

[Via Magic Transistor]

Insert NSA joke here.

Electric dreams,

This is dF


defrog: (Default)
I am in Singapore or someplace, waiting in a taxi queue. I have been waiting almost an hour.

I am about to give up when a taxi pulls up at a crooked angle. Inside is a female driver and two more women in the backseat – they are all dressed as sexy anime characters. The backseat girls are there to give passengers a “Mashido” massage.

I ask the driver if this is a real taxi service or just a rolling massage parlour. She just smiles as though she gets asked stupid questions all the time. I don't know how much longer I’ll have to wait for another taxi, so I get in.

It turns out the massage is optional.

And then I woke up.

Hands on,

This is dF
defrog: (Default)
I am somewhere in America, walking across a large shopping mall campus. I need to get to the Parkroyal Hotel to meet some friends, but I’m not sure where it is or of it’s within walking distance. I see a taxi and decide to flag it down.

The taxi is more like a van, and there are already some people inside, but the driver tells me it’s cool – it’s more like a mini-bus service than a taxi service. The driver looks familiar but I can’t place him. He hands me a business card – his name is Tom Petty.

Well that explains it.

The people in the van are a mix of passengers and friends (most of whom I assume are the Heartbreakers), and Petty jokes around with them – it’s like a party, though with no drinks. He pulls up to the front of what I assume is the main shopping mall building and drops off the last of the passengers, then drives off.

As we go up some kind of ramp next to the mall, I ask him if we’re going to the Parkroyal next. He says, “Oh, it’s over there on the left.”

I look out the window. From the elevated vantage point of the ramp I can see that the building we just left has a courtyard in the front, and the courtyard is the lobby of the Parkroyal. So we were already in front of it when he dropped off the last passengers.

“Okay, then just let me out here,” I say.

“Sure, just hold on a minute, I can’t stop right here on the ramp,” he says.

The ramp leads to a vast rooftop parking lot that is technically next to the Parkroyal but still a good distance away. He stops the van and everyone gets out – me, Petty, and the Heartbreakers.

“How come you didn’t just take me to the front entrance again?” I ask.

He scowls. “Because I didn’t want the reception that people were going to give me when I showed up! And they wouldn’t be saying ‘Cobalt!’ neither!”

I seem to remember that “Cobalt” was Petty’s nickname among his fans. I realize now what he’s talking about – he used to be a rock star, now he’s driving a cab, and he doesn’t like the assumptions people make about that.

“I got tired of the music business, and I have more fun driving a cab, but people see you go from rock star to taxi driver and they think it’s because you don’t have any talent anymore, or yr a loser! Well fuck that! I don’t need that shit!”

It’s at this point I realize two things: (1) he’s a little drunk and (2) he doesn’t look like Tom Petty so much as he looks like Gary Busey playing Tom Petty in a TV movie.

Petty sits down on a curb and starts to throw golf balls with enough spin that they rebound back to him. The golf balls keep hitting him in the crotch, but this is apparently on purpose, as he goes off on a monologue about how the only purpose of marriage is for a woman to legally and metaphorically kick a guy in the nuts.

I sit down next to him. “Bad marriage, huh?”

He gives me a look. “Like you don’t know. The media milked it for weeks.”

“I don’t know,” I shrug. “I don’t follow celebrity gossip or watch much TV. I don’t even know who you were married to.”

“Heather Locklear,” he says.

I nod. “Oh, right. I remember hearing about you two being a couple, but I didn’t follow the details. You wanna tell me about it?”

Petty proceeds to tell me about his marriage and divorce from Heather Locklear. The other Heartbreakers fill in some details as well. We all sit there casually throwing golf balls as the story unfolds, and by the end Petty seems to be feeling better.

“It helps to talk about this,” he say. “Especially to someone who didn’t hear the tabloid version first.”

“Yeah,” I say, “my experience is that it’s always good to talk to an outsider who doesn’t care.” When Petty frowns at this, I add, “What I mean is someone who has no stake in the game. Like when you know a couple that gets divorced and yr friends with both of them and they expect you to take a side, and they resent it if you try to stay neutral.”

He nods, then he gets to his feet. “C’mon, I’ll drive you to the lobby.”

And then I woke up.

DISCLAIMER: I'm pretty sure Petty's nickname in real life is not "Cobalt". But that's what he said.

Also, I have no idea if he was ever married to Heather Locklear.

Don’t do me like that,

This is dF

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