One interesting aspect about cover songs recorded for commercial purposes is the timing. Once the original comes out, how long should one wait before recording one’s own version?
In most cases, it’s a moot point, since many artists tend to cover songs they loved when they were growing up, so there’s at least a ten-year gap between versions.
It also depends on how well-known the original was. You could get away with, say, covering the 1964 Kinks hit “You Really Got Me” in the late 70s. You probably couldn’t do it the same year without being accused of cashing in on someone else’s success. On the other hand, if the song is by someone obscure enough – or someone who works in a distinctly different genre than you – yr odds are better.
For example, take the song “Demolition Man”, which started out as a hit single for Grace Jones in 1981.
It was actually written by Sting of The Police, but that band hadn’t yet recorded it at the time. But they did record it later that year for their album Ghost In The Machine.
Then two years later it appeared on the Somewhere In Afrika album by Manfred Mann’s Earth Band, and became a chart hit.
I might be making more out of this than is warranted, but it interests me that the song saw three incarnations in two years, two of them singles, albeit in different radio formats. I can’t think of too many examples where that’s happened.
Personally I prefer the Manfred Mann version. The arrangement is appropriately terse and dangerous, as though Steve Waller really could take you all out if he wanted to, and Shona Laing would watch and laugh while he did it. And you can move yr hips to it.
That said, it was good material for Grace Jones, too. In fact, the Police version is my least favorite of the three. Go figure.
BONUS MATERIAL: It's worth mentioning that Sting recorded a new version of the song for the 1993 film Demolition Man. But the less said about it, the better.
The sort of thing they ban,
This is dF
In most cases, it’s a moot point, since many artists tend to cover songs they loved when they were growing up, so there’s at least a ten-year gap between versions.
It also depends on how well-known the original was. You could get away with, say, covering the 1964 Kinks hit “You Really Got Me” in the late 70s. You probably couldn’t do it the same year without being accused of cashing in on someone else’s success. On the other hand, if the song is by someone obscure enough – or someone who works in a distinctly different genre than you – yr odds are better.
For example, take the song “Demolition Man”, which started out as a hit single for Grace Jones in 1981.
It was actually written by Sting of The Police, but that band hadn’t yet recorded it at the time. But they did record it later that year for their album Ghost In The Machine.
Then two years later it appeared on the Somewhere In Afrika album by Manfred Mann’s Earth Band, and became a chart hit.
I might be making more out of this than is warranted, but it interests me that the song saw three incarnations in two years, two of them singles, albeit in different radio formats. I can’t think of too many examples where that’s happened.
Personally I prefer the Manfred Mann version. The arrangement is appropriately terse and dangerous, as though Steve Waller really could take you all out if he wanted to, and Shona Laing would watch and laugh while he did it. And you can move yr hips to it.
That said, it was good material for Grace Jones, too. In fact, the Police version is my least favorite of the three. Go figure.
BONUS MATERIAL: It's worth mentioning that Sting recorded a new version of the song for the 1993 film Demolition Man. But the less said about it, the better.
The sort of thing they ban,
This is dF