Since the previous installment of this series covered David Bowie’s final album, it’s only fitting we should follow that up with Post Pop Depression, Iggy Pop’s final album
Well, maybe. He’s suggested he will likely retire after this. If so, he’ll go out swinging.
What fans will make of it may depend in part on how they feel about (1) the rest of Iggy’s solo catalog (i.e. is it as good as Lust For Life?) and (2) Josh Homme, who is Iggy’s musical partner here, along with Dean Fertita (of Homme’s main band Queens Of The Stone Age) and Matt Helders (drummer for Arctic Monkeys). As such, musically it bears a slight resemblance to Queens Of The Stone Age and/or Homme’s various side projects or desert-jam sessions.
But it would be a mistake to call this a QOTSA album with Iggy as frontman. It’s much more than that. Musically it’s more reflective than heavy, the sound of a guy who gave his all for the rockinrolls and lived to tell the tale. Which pretty much sums up Iggy’s career.
And of course Iggy dominates the set as only Iggy can, with lyrics that range from languid and sentimental to sputtering rage and the occasional venture into self-aware goofiness. They’re not all classics but I think several tracks here hold up against even the best of his back catalog.
All up, it’s a solid and often spellbinding album. More importantly, it’s the sound of Iggy Pop doing what he’s always done – whatever he wants, and on his own terms.
Here’s one of the better tracks.
https://www.youtube.com/watch?v=THm7TIOK8ks&nohtml5=False
Slick as a senator’s statement,
This is dF
Well, maybe. He’s suggested he will likely retire after this. If so, he’ll go out swinging.
What fans will make of it may depend in part on how they feel about (1) the rest of Iggy’s solo catalog (i.e. is it as good as Lust For Life?) and (2) Josh Homme, who is Iggy’s musical partner here, along with Dean Fertita (of Homme’s main band Queens Of The Stone Age) and Matt Helders (drummer for Arctic Monkeys). As such, musically it bears a slight resemblance to Queens Of The Stone Age and/or Homme’s various side projects or desert-jam sessions.
But it would be a mistake to call this a QOTSA album with Iggy as frontman. It’s much more than that. Musically it’s more reflective than heavy, the sound of a guy who gave his all for the rockinrolls and lived to tell the tale. Which pretty much sums up Iggy’s career.
And of course Iggy dominates the set as only Iggy can, with lyrics that range from languid and sentimental to sputtering rage and the occasional venture into self-aware goofiness. They’re not all classics but I think several tracks here hold up against even the best of his back catalog.
All up, it’s a solid and often spellbinding album. More importantly, it’s the sound of Iggy Pop doing what he’s always done – whatever he wants, and on his own terms.
Here’s one of the better tracks.
https://www.youtube.com/watch?v=THm7TIOK8ks&nohtml5=False
Slick as a senator’s statement,
This is dF