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defrogFemale singer-songwriters are a dime a dozen these days, and more power to them, but they’re not always my cup of tea.
A consistent exception has been Regina Spektor, who won me over a few albums ago. She may be too goofy for some tastes, but “goofy” has always been a bonus quality for me. That said, her previous studio album, Far, didn’t quite work for me apart from a few songs – maybe because it had too many producers and felt a little more geared to the mainstream.
Her fourth album, What We Saw From The Cheap Seats is out now, and I have to say I’m liking it. And the first single imagines art museums as prisons for paintings and musical instruments.
Listen.
The living dead fill every room,
This is dF
A consistent exception has been Regina Spektor, who won me over a few albums ago. She may be too goofy for some tastes, but “goofy” has always been a bonus quality for me. That said, her previous studio album, Far, didn’t quite work for me apart from a few songs – maybe because it had too many producers and felt a little more geared to the mainstream.
Her fourth album, What We Saw From The Cheap Seats is out now, and I have to say I’m liking it. And the first single imagines art museums as prisons for paintings and musical instruments.
Listen.
The living dead fill every room,
This is dF
