Sep. 20th, 2012

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Emergency op-ed from Team Def Political Voodoo Priest Lucky Bensonhurst.

It is an election year. My editor demands copy. “Send me visions of the future! Eight thousand words! You have two hours!”

Well, why not? I am a professional, and I can pound these out in my sleep. I often do. I’m doing it right now, in fact. Which explains the plus-size lingerie-clad cabana ladies in my bungalow. One is giving me a pedicure. The other one is chopping up coconuts with a machete for the pina coladas the third one will be engineering as soon as she’s done massaging my nose.

So. To business.

ITEM: Mitt Romney is blowing it.

Well, maybe not. He’s not out of the running yet. But between his reaction to the anti-American riots overseas and his theories about Obama’s support base, a lot of Republicans probably wish they’d gone with Anyone But Mitt after all.

Not that they necessarily disagree with what he said about any of those things. Indeed, every Republican worth his/her mettle sees the dead Ambassador to Libya mainly as ammunition they can use against Obama and other Muslims. But not while the body’s still warm, for God’s sake.

In any case, as Mitt has about 3.5 years less foreign policy experience than Obama, the GOP’s strategy has been to sell him as a guy who understands both the problems of working-class Americans AND how to bring America Inc. into the black. But Mitt is making it clear to more and more people that he knows about the working class about as much as a cocaine-addicted monkey knows about Lehman Brothers. This is, after all, the man who thinks $200k a year counts as middle-class.

Perspective!

But then I find it fucking disingenuous that a millionaire who only pays 13% in taxes when he’s supposed to be paying 35% thinks the solution to the deficit and unemployment is to give people like himself a tax cut as an incentive to create jobs, so I would say that, wouldn’t I?

Anyway.

If Mitt keeps talking “off the cuff”, he’s going to find it increasingly difficult to take control of his image, what with essentially handing Team Obama material so good it needs no editing or rewrites.

Take his and Ann Romney’s appearance on ABC's "Live! With Kelly and Michael”, in which Mitt tries to pass himself off as human (as opposed to a robot), and instead portrays him and the missus as the Whitest, Straightest, Couple In America:

Mitt Romney snores, loves Reese's Peanut Butter Cups and secretly admires Snooki on MTV's "Jersey Shore." Ann Romney hogs the blankets, irritates her husband by leaving the cap off the toothpaste and once walked in on former President George W. Bush getting a massage while exploring the White House.

Fucking gaaaaaaaah.

Okay. Maybe it’s just me. But reading that, I liked him better as a robot.

Granted, that won’t cost him the election. It fucking well should. But it won’t.

But then it’s worth remembering that Mitt is doing as well as he is in the polls mainly because has a built-in GOP base fueled by fear and loathing for Comrade Imam Hussein Obama, and because he has Paul Ryan in his corner (who himself is in the comical position of having voted into place some of the govt policies that Romney is criticizing Obama for).

So no matter what big dumb things Mitt says between now and November, that support isn’t going anywhere, if only because it’s got nowhere else to go, and they’re so terrified/outraged at the prospect of a second Obama term that they’re not likely to risk a conscience vote with Gary Johnson.

The indie/mod vote is another matter. And he’s not exactly endearing himself to them.

But then neither is Obama.

And the size of the indie voting bloc, incidentally, is getting bigger.

Fun times, eh Jim?

L. Bensonhurst


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Carrying on with the Old Rock Guys theme:

Whenever anyone asks what was the most influential band in my impressionable youth – the one that got me through the hell of high school and whose songs I identified with so strongly it was as if they somehow knew who I was and were writing their songs specifically for me – I don’t have to think about the answer.

It’s Rush.

Seriously. A guy in my high-school drama group lent me a cassette of Moving Pictures, and it blew me away. Then they released their concert album, Exit … Stage Left, which introduced me to their back catalog, which I started collecting. Now that they’re past their 40th year as a band, you’d think I’d have a shelf full of Rush albums.

Well. Not exactly. I confess that Grace Under Pressure was the last Rush album that truly impressed me. Once they’d completed their transformation from epic prog-rock to shiny chrome-plated pristine 80s band that gleamed like the interior of an Imperial spaceship, they more or less stuck with that formula to the point where it was diminishing returns for me – something I’ve chalked up to the fact that as I grew up, the impact had been made and nothing they could do could ever really live up to that, which is my fault, not theirs.

Anyway, every so often they came out with an album that looked like a return to form, but really the closest they ever came was Feedback, which was a covers album of songs that influenced them. Good, but not awesome. So usually when they put out a new record I don’t get my hopes up.

Now they’ve got a new album out – Clockwork Angels – and it is epic. Literally. Apart from being the densest and loudest record I’ve heard this year (apart from Off!, maybe), it’s also a steampunk concept album where all the songs are at least six minutes long. And I might not have taken a chance on it, but then I heard a track on the PA inside HMV.

This very track here.



Now THAT is the Rush song I’ve been waiting to hear since 1984 – heavy riffs, squally guitar solo, epic mythology. Oh yes.

But what about the rest of the album?

Well, quite a bit of it lives up to the expectations of the above track, but I confess it took a second pass to appreciate some of them. I still have to adjust to the fact that Rush does not sound like they did when I was in high school, and that they have a tendency to sound like they’ve taken sections of four different songs and mixed them together into one big song with no attempt to segue smoothly between each section – or so it seems on first listen.

Once you get the hang of it, it works more often than not. There’s some filler, but a lot less of it than more recent albums, and quite a few songs are worth the price of admission alone. So I can say with confidence this is the most excited I’ve been about a Rush album in a long time.

Also, leave it to Rush to have Kevin J. Anderson write a novel based on their concept album. How nerdy can you get? Honestly I’m surprised they didn’t think of this sooner.

Hear the album, buy the book,

This is dF


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[Via Let The Sin Begin]

Hoopy,

This is dF


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