FOXES, TITANS, DRAGONS AND ALIENS
Apr. 6th, 2010 11:30 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Or, “How I spent my five-day weekend”.
I spent it going to the early-morning matinees with the family, mostly (and then sleeping all afternoon). Here’s what we saw and what I thought of it, because this is stuff you need to know.
Fantastic Mr Fox
I’m off and on with Wes Anderson – The Life Aquatic With Steve Zissou was brilliant, The Darjeeling Limited not so much, for example. But with Anderson doing a stop-motion animation adaptation of Roald Dahl's book (which I haven't read), I had to go see it. And it’s the best movie I’ve seen so far this year.
The basic story of Mr Fox promising his pregnant wife to give up stealing chickens to raise his family, only to revert for “one last big job”, is pretty straightforward, but like most Anderson films, the secret is in decorating dysfunctional family relationships with a storybook aesthetic, brilliant, funny dialogue and a great classic rock song for the end credits.
It’s also proof that you don’t have to dumb down a story to make it suitable for kids (assuming Anderson even made it as a kid’s movie, and assuming kids who saw it liked it).
How To Train Your Dragon
Another animated film based on a children’s book I haven’t read that follows the nerdy-outsider formula, but does it really well.
The basic story – a teenage Viking misfit who needs to kill a dragon to impress both his dad and a girl ends up befriending one – is pretty familiar and somewhat predictable, but the characterization, quality jokes and action more than make up for that – so much so that I’m willing to overlook the puzzle of just why all the grown-up Vikings have Scottish accents. Good fun.
Planet 51
Animated film whose main gimmick is reversing the 50s Alien Invasion B-movie in which aliens are the ones whose comfortable small-town lives are disrupted by a UFO from Earth.
Cute idea, but the story that comes with it is full of comic-misunderstanding cliches, misplaced Cold War paranoia and a tired win-the-girl angle. All of which would be okay if they came up with fresh twists or clever lines, but mostly they don’t.
It says a lot that the only interesting characters are two minor ones: a rover robot and a dog/pet version of HR Giger’s Alien creature (one of the few clever bits in the film). You know yr in trouble when having Gary Oldman as the antagonist doesn’t help.
Clash Of The Titans
While I'm not crazy about remakes,let’s be honest: the only good things about the original were (1) Ursula Andress and (2) Ray “F*** Yeah Stop Motion” Harryhausen (mostly the latter). That said, the new version is yet another dose of blockbuster CG overload and “let’s make the action exciting by shaking the goddamn camera so much you can’t see what’s going on” directing.
Not that it’s all bad. It’s a pretty decent (if occasionally clunky) story as Greek legends go, and I’ll take Sam Worthington over Harry Hamlin as Perseus anyday. And it’s got a great sense of energy that the original desperately lacked.
What it doesn’t have is the campy B-movie charm that has made the original a cult favorite. If nothing else, the 2010 model more entertaining than Percy Jackson & The Olympians, but otherwise it’s not all that essential.
Release the Kraken,
This is dF
I spent it going to the early-morning matinees with the family, mostly (and then sleeping all afternoon). Here’s what we saw and what I thought of it, because this is stuff you need to know.
Fantastic Mr Fox
I’m off and on with Wes Anderson – The Life Aquatic With Steve Zissou was brilliant, The Darjeeling Limited not so much, for example. But with Anderson doing a stop-motion animation adaptation of Roald Dahl's book (which I haven't read), I had to go see it. And it’s the best movie I’ve seen so far this year.
The basic story of Mr Fox promising his pregnant wife to give up stealing chickens to raise his family, only to revert for “one last big job”, is pretty straightforward, but like most Anderson films, the secret is in decorating dysfunctional family relationships with a storybook aesthetic, brilliant, funny dialogue and a great classic rock song for the end credits.
It’s also proof that you don’t have to dumb down a story to make it suitable for kids (assuming Anderson even made it as a kid’s movie, and assuming kids who saw it liked it).
How To Train Your Dragon
Another animated film based on a children’s book I haven’t read that follows the nerdy-outsider formula, but does it really well.
The basic story – a teenage Viking misfit who needs to kill a dragon to impress both his dad and a girl ends up befriending one – is pretty familiar and somewhat predictable, but the characterization, quality jokes and action more than make up for that – so much so that I’m willing to overlook the puzzle of just why all the grown-up Vikings have Scottish accents. Good fun.
Planet 51
Animated film whose main gimmick is reversing the 50s Alien Invasion B-movie in which aliens are the ones whose comfortable small-town lives are disrupted by a UFO from Earth.
Cute idea, but the story that comes with it is full of comic-misunderstanding cliches, misplaced Cold War paranoia and a tired win-the-girl angle. All of which would be okay if they came up with fresh twists or clever lines, but mostly they don’t.
It says a lot that the only interesting characters are two minor ones: a rover robot and a dog/pet version of HR Giger’s Alien creature (one of the few clever bits in the film). You know yr in trouble when having Gary Oldman as the antagonist doesn’t help.
Clash Of The Titans
While I'm not crazy about remakes,let’s be honest: the only good things about the original were (1) Ursula Andress and (2) Ray “F*** Yeah Stop Motion” Harryhausen (mostly the latter). That said, the new version is yet another dose of blockbuster CG overload and “let’s make the action exciting by shaking the goddamn camera so much you can’t see what’s going on” directing.
Not that it’s all bad. It’s a pretty decent (if occasionally clunky) story as Greek legends go, and I’ll take Sam Worthington over Harry Hamlin as Perseus anyday. And it’s got a great sense of energy that the original desperately lacked.
What it doesn’t have is the campy B-movie charm that has made the original a cult favorite. If nothing else, the 2010 model more entertaining than Percy Jackson & The Olympians, but otherwise it’s not all that essential.
Release the Kraken,
This is dF
no subject
on 2010-04-06 04:12 pm (UTC)This has become my new catchphrase. I adore Liam Neeson and I have to say that it pains me a bit to think that he is going to go down in history with this line. But he has been (and will continue to it seems) make some very cheesy movies.
no subject
on 2010-04-06 05:52 pm (UTC)I'm still mulling over whether to see Clash of the Titans. Worthington's voice is one of the few that grate on my nerves. That made it VERY hard to sit through Avatar.