defrog: (45 frog)
It’s fair to say the majority of my 45 collection is fairly mainstream – which is to say, the artists and songs are mostly ones yr likely to have heard of, and still hear on oldies stations from time to time.

A few are pretty obscure, and I’ve posted some of them already. I’m not really sure which qualifies as the most obscure 45 in the collection. But surely this 80s metal song about samurais is a top contender.



Grand Prix were a British metal band from 1978 to 1984, and this was the title track to their third and final album. Two of them went on to join Uriah Heep while vocalist Robin McAuley later teamed up with Michael Schenker.

I’m not even 100% sure why I even had this. I think I inherited it from a friend who was enamored with the whole samurai mythos. And listening to it now, I’m not entirely sure why I thought it was worth inheriting. I guess it does have that kind of earnest epicness that a lot of UK/European 80s hair-metal bands displayed – proggy arrangements, fist-raising anthemic choruses in four-part harmony, cheesy synths, serious riffage, and pretentious lyrics about Honor and Glory and Warriors and Kings and etc. It’s kind of like a Manowar-Europe non-aggression pact for Japanese culture buffs and Styx fans. Or people who love their metal kitschy.

Anyway, there it is.

PRODUCTION NOTE: It took me forever to find this one on YouTube, because (1) I couldn’t remember the name of the band, and (2) without that information, when you Google “samurai” and “song” you inevitably get that Michael Cretu song, which is even more “80s” than the Grand Prix song.

The sword is yr soul,

This is dF 
 
defrog: (Default)
Men In Bras!



Blinded by weird science,

This is dF
defrog: (Default)
And yes, it’s another perfect cover song from Banäna Deäthmüffins as we unintentionally ruin one of our favorite songs by Berlin.

There’s probably a good reason why we keep getting sidetracked doing covers instead of doing our own stuff. And it’s probably along the lines of “Cos it’s fun, that’s why.” Which is as good a reason as any. It’s also good practice to learn how to play other people’s songs, I find.

FUN FACT: We originally tried this as a heavy psych-funk number, but it kept segueing into Judas Priest’s “Breakin’ The Law” by the end, and then at some point I started wondering how awesome it would be to hear Fred Schneider sing this song, so then it ended up turning into a retro TV-spy theme, which actually made sense considering the original video for the song and …

Well. Here it is.



=====================================

Written by John Buckner Crawford
Ruined by Banäna Deäthmüffins

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

================================================

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Swimming through apologies,

This is dF


defrog: (Default)
Well, are ya? Punk?

journey: escape… the game.

[Via Beatnik Daddio]

Who’s crying now.

This is dF


defrog: (mooseburgers)
It says a lot about 1980s America that Rambo became a cultural signpost of the decade – the fantasy of a one-man All-American army making up for the shame of Vietnam by going back to the jungle to kick some Commie ass and rescue all the POW-MIAs left behind in 1973.

Even pinball games weren’t immune.



According to Internet Pinball Database, the name comes from Rambo’s code name in the first two Rambo films. Of course, the ad tagline is a reference to Chuck Norris, not Sylvester Stallone. But then Norris jumped on that bandwagon as soon as R:FB2 became a hit.

As did Arnold Schwarzenegger, whose line at the end of Commando pretty much sums up America’s attitude to foreign policy in the 80s.



Okay, that was South America, not Vietnam. But you see what I’m saying.

Right. Anyway …

The IPDB doesn’t explain why “Raven” is a babe. Probably because Raven sounds more like a girl’s name. Plus it appeals to Rambo fans for whom the ideal girlfriend is a heavily armed hot babe who enjoys killing Commies and drinking beer as much as they do.

Or something.

Kill ‘em all,

This is dF

 
defrog: (Default)
Or at least enough kung fu to take out a mullet guy in a tuxedo.

Samantha Fox (Fighters, 9/85)

[Via The Actioneer]

Fists of fury,

This is dF
defrog: (Mocata)
I came of age during the Reagan administration.

It was a lot like this.

Max Capacity Reagan Remix

[Via Televandalist]

Bedtime for Bonzo,

This is dF


defrog: (Default)
I’ve always found it ironic that Tom Waits gets a lot of accolades as a songwriter, yet has never had a mainstream hit single. His albums generally do well, and his singles do pretty good on specialty-format charts like “Adult Alternative”. But he’s never cracked the Billboard 200.

Which just goes to show that “great songs” and “hit songs” aren’t always the same thing.

Then again, sometimes it’s more about the presentation than the song itself. As a performer, Waits has never been a commercial proposition, and he gets more respect from the hipster alt.crowd than from the mainstream. Which is why yr more likely to hear a Waits song on mainstream radio if someone else performs it.

Especially if that someone is Rod Stewart doing “Downtown Train”.

Actually, Waits does get covered a lot, but usually by artists who also have smaller “alternative” followings, rather than big-name stars. Sure, Springsteen has covered “Jersey Girl” onstage, and the Eagles did “Ol’ 55”, but none of them have been as successful as Stewart’s take on “Downtown Train”.

And the thing is, I never really liked Stewart’s version. The brilliance of the song shines through, but it’s too obviously Adult Contemporary for my taste. Moreover, he wasn’t even the first singer to release a cover version as a single. 

That would be Patty Smyth.



It didn’t do better than Stewart’s chartwise, but I like her version a lot more. It’s obviously a more amped up arrangement, but I think it does preserve some of the romance of the original, even if it relies on 80s synths to do it. And of course Smyth was a really good singer in her own right.

Still, there’s nothing quite like the original.



PRODUCTION NOTE: I should mention that Mary Chapin Carpenter recorded her own version of “Downtown Train” the same year Smyth did. But that wasn’t released as a single.

Also, while we’re at it, Bob Seger recorded a version the same year as Stewart, but decided not to release it at the time because Stewart’s version did so well. 

Shining like a new dime,

This is dF


defrog: (sars)
It's another update from Banäna Deäthmüffins, kids!

Turns out that our fans like it when we play songs we didn’t write. The response to our cover of Donna Summer’s “Hot Stuff” has been particularly gratifying. So we decided to try our luck again with another favorite classic track by the band.

Namely, “Touch Me” by Samantha Fox.

But that turned out to be trickier than we thought. The song is easy enough to learn to play – the sticking point was trying to figure out the right approach. We tried a Stadium Rock version similar to our treatment of “Hot Stuff”, but somehow it sounded tired. Then we tried a cheesy 80s version, which just didn’t quite gel. And finally, for no real reason, we thought we’d try a laid-back Leon Redbone-style take on it.

This got results.

Granted, they weren’t quite the results we had in mind, mainly because we don’t know any jazz chords, and dEFROG can’t sing anything like Leon Redbone.

But we’re still pretty happy with the results.

And here they are.



================================================

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Written by M.Shreeve/J.Astrop/PQ Harris

Ruined by Banäna Deäthmüffins

Recording ©2013 Terribly Frog Music. Derechos Reservados!

Deepest apologies to Samantha Fox

================================================

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This is the night,

This is dF


defrog: (Default)
Indeed.

Where’s The Cap’N? The Crunch Bunch Featuring Rick Derringer (1985) Cap’N Crunch premium.



[Via Crypt Of Wrestling]

O captain my captain,

This is dF


defrog: (Default)
Wake her for meals.



HISTORICAL FACT: The 80s really did look like this, children.

I’m only sleeping,

This is dF


defrog: (Default)
There was such a thing, you know.



[Via Radioactive Lingerie]

DISCLAIMER: For educational purposes only. I was never big on Faster Pussycat.

Wake me when it’s over,

This is dF


defrog: (Default)
When you think of Andy Warhol, you don’t usually think of The Cars.

Or vice versa.

But there is a connection – Warhol directed their video for “Hello Again”.

And as you might guess, it is NSFW.



You might have forgot,

This is dF


defrog: (Default)
And vice versa, I would assume.



[Via Radioactive Lingerie]


You remember Appolonia 6, of course. Quite possibly you even remember their music.



The 80s: you had to be there.

Shooting love in yr direction,

This is dF


defrog: (Default)
As long as I’m fessing up my appreciation for 80s pop singers, I guess I should also bring up Samantha Fox. 

Yes.

As you may have gathered, like a lot of guys my age I was a fan of Samantha before she got into music (if you know what I mean, and I think you do), and I admit liking her first couple of albums primarily because of the novelty value. Also I was living in West Germany at the time, so I was already listening to a lot of Europop. (Evidence: I still have Kim Wilde’s first five albums somewhere, and I even have the first two Sandra albums on cassette. I don't really listen to the latter anymore, but that’s not the point.)

So anyway, yes, I liked her at the time. And you can laugh, but by her second album, she was collaborating with heavy pop hitters like Stock Aitken & Waterman and Full Force. So, you know, it’s not like she was goofing off or anything.

Anyway, somehow I ended up with this song on 45 – I think I bought it second-hand for a radio show I was doing at the time (this was before CD players became standard-issue in radio stations – or at least college radio stations with next to no budget).




Temporary love’s so bad but it feels so good,

This is dF


defrog: (Default)
And now for something completely different: Mr T doing a rap song about appreciating yr mom.



The 80s: you really had to be there.

Oh mama,

This is dF


defrog: (Default)
Good morning, Internet.



FUN FACT: The first time I heard this, I thought it was a secret side project by The Bollock Brothers. Like Red Lipstique.

If yr not familiar with them, listen to this and tell me there’s no resemblance.

His name is Ted,

This is dF


defrog: (Default)
And now, for no real reason, The Pandoras, who were doing the garage-rock revival thing all the way back in the 80s.



Hot rocks,

This is dF


defrog: (Default)
My kind of restaurant.

Although who besides an 80s pr0n producer would name a Mexican restaurant The Blue Fox?



[Via Radioactive Lingerie]

Holy guacamole,

This is dF


defrog: (Default)
Yr 80s Pop Culture Revenge lede of the day:

Stop! Hammer find!

It’s called WireDoo, and it can do “deep search”.

Good luck with that, Hammer.

WireDoo is in pre-beta, if any of you are interested in trying it out.

Please Hammer don’t search ‘em,

This is dF

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